New
York Diary: 26 Federal Plaza
November 9, 2001
by John Bloom
NEW YORK (UPI) -- The line forms at sunrise. If you arrive
at 26 Federal Plaza after 6:30, you're already too late. The
building doesn't open until 8 a.m., but the queue already
contains a hundred people, and there are several hundred more
likely to arrive before the security door opens.
This is our modern Ellis Island, the New York headquarters
of the Immigration and Naturalization Service, an imposing white
high-rise just six blocks from the smoldering ruins of the World
Trade Center. The FBI is headquartered in the same building, and
this streaming mass of brown faces, yellow faces, olive faces and
faces of deep purplish black are in some respects the FBI's
greatest nightmare right now. They all have visa problems.
They're all, to a greater or lesser extent, frightened right now.
And no one has time to see them.
They are almost entirely from the developing world. Latins,
Asians, Africans, Arabs. It's not that Germans and Frenchmen and
Irishmen don't have visa problems, too, but they tend to hire
lawyers and get friends to lobby Congressmen. All the white faces
have their affairs settled through complicated legal filings and
by appointments in upstairs cubicles and hearing rooms.
For these people that's not an option. They don't have the
money, and in many cases they don't understand the complexity of
the process. Their English is either limited or non-existent, so
they usually bring a friend along to translate and provide a
second opinion as to the meaning of what they'll be told.
An Ecuadorian man has brought his whole family, including two
young children, because he wants to impress on the INS the
emotional anguish of his loved ones. His father is dying in
Quito, and he wants special permission to travel there so he can
be at his bedside. Normally a "temporary alien"--a person who's
legally in the country but hasn't received his green card yet--
can't leave the country without forfeiting all his rights and
sometimes making it impossible to return to America. The man asks
questions of everyone around him: "Should I go to second floor or
ninth floor? One man said 11th floor. What's on 11th floor?"
But it will be a long time before he reaches any floor, much
less speaks to an actual agent. Foreign nationals are not allowed
to enter 26 Federal Plaza by the main doors. They have their own
special six-man security detail, with a super-sensitive metal
detector and a guard who goes over each body with an electronic
wand. The pace is glacial--up to two minutes per person. The line
snakes back and forth under a temporary tent structure, to
protect the petitioners from the cold, so that they're constantly
moving close to the magic door, then away again as the queue
folds back on itself. And all the time a marshal scans the tired
anxious faces, barking instructions at the shuffling mass.
"Remove your coats now!" the security man screams
repeatedly. "Empty your pockets and put everything in the pockets
of your coat. If you have a knife or weapon, leave now and get
rid of it or we will take it away from you. I have a very nice
collection of weapons. You will be caught and you will not
get
your weapon back and you will be arrested. Remove your coats now!
Do not wait until you're at the metal detector. Start emptying
your pockets now, and put everything into your coat."
But these people have heard it all before. Most of them have
been here dozens of times, in the same line, going through the
same procedure. They don't look at the security man. Very few of
them are brave enough to even ask him a question.
Most of their problems are thoroughly mundane, and yet
impossible to resolve. An Eritrean woman was granted temporary
asylum two years ago, but has never received any further
instructions in the mail. She can't apply for permanent asylum
until she receives a certain document. She worries that the
change of address she mailed to INS was never attached to her
papers. She has repeatedly tried the INS information line, but
it's always either busy or gives her a recording.
When she finally makes it to the second floor--where all
"inquiries" are dealt with--she'll be directed to yet another
snaking line, and on a good day that line will only take 30 to 45
minutes. Three INS agents work this line, listening to each
person's question and then deciding where to send them to have
the question answered. If what the person needs is a federal
form--there are hundreds of them, all baffling if you've never
seen them before, and all making you subject to criminal
prosecution if you fill them out wrong--then he's given a number
and told to wait at the north end of the vast room. If he's
checking on the status of his case--many INS applications are
simply lost somewhere in the system--then he's given a different
kind of number and told to wait in the south end of the vast
room.
A digital monitor overhead tells them how many numbers are
ahead of them. Meanwhile they're told to fill out a form, giving
a written reason as to why they need to ask the INS a question.
The minutes tick by. First-timers grow frustrated that, after
three hours, or four, they still haven't been able to ask their
question. The sole INS agent they've spoken to has asked only
about the nature of their question. Anyone attempting to speed up
the process, or ask how long it will be, is sternly ordered back
to his church-pew seat. People who bring in coffee or food are
ordered to throw it out.
All around are bank-teller-type windows, 30 or 40 of them,
and behind each one is an INS "inquiry" agent. "One forty-seven!"
an agent calls, and a confused Hispanic man and his wife look
around, not sure where the voice came from, scared that they'll
lose their place. Immediately everyone comes to their assistance.
"There!" "Over here!" "Go quickly!"
Throughout the day there are little dramas played out. A
male agent suddenly booms, "Does anyone here speak Portuguese?"
When no one comes forward, he tells the man, "You must speak to
us in English. We're only required to speak to you in English.
You must get someone to come with you and speak English." It's
hard to tell from the man's face whether he understands or not.
It's slowly dawning on him that he must return another day and
start the process again. A Mexican woman asks if he speaks any
Spanish, but the agent decides that three languages is just too
many to deal with. The man is turned away, his question
unanswered.
"UN-GWILLA-MONSO!" shouts another agent. "Is Un-Gwilla-Monso
here?"
No one answers. No one responds. Whoever it is, he can't
recognize the pronunciation of his name. He doesn't know it yet,
but he's lost his chance.
When you do make it to the bank-teller window, you're
allowed one question and one question only. The agent takes your
written form and normally only half-listens to the actual
question. He takes the information from the form and types the
numbers into an airline-style computer and hopes that a status
report will appear. Sometimes it does. Sometimes it doesn't. If
the computer provides no information, the applicant is told that
he must put a full version of the question in writing, and that
he will be answered by mail "within a few weeks."
Everyone knows that these answers never arrive. At least
half the people waiting are inquiring for the third or fourth
time about a question that was supposed to be answered by mail--
but the mail never comes.
But even a third inquiry, or a fourth, receives the same
instruction. "You will be answered by mail." If anyone becomes
angry or refuses to leave the window, the agents are quick to
yell "Security"--and instantly two uniformed guards appear. They
tell the person that he MUST leave, and they walk him to the
exit.
Sometimes you're given an answer to your question, but the
answer itself begs a further question. "Your application for
permanent resident status is at the interview-staging phase."
This means the person has been approved for an interview and must
wait for the date of that interview appointment to arrive in the
mail. But unless you have some advanced knowledge of bureaucratic
English, you're unlikely to know the precise meaning of either
"staging" or "phase." "Permanent resident status" you would know,
simply because you've heard it hundreds of times by this point.
It's the precise equivalent of "green card."
At other times you'll be sent to another floor, where more
specialized agents deal with issues of asylum, parole, hardship
and the like. The Ecuadorian family is eventually sent upstairs to
a smaller room where they are instructed to wait in a line of
about 15 people--the higher you go in the building, the shorter
the lines get--and to give their names. They're placed on a list
and given a form to fill out, detailing the precise nature of
their request. What they're seeking, as it turns out, is
something called "emergency advance parole," which allows you to
travel outside the country and return even though your papers
haven't been processed yet. In recent years the green-card
approval process has become so lengthy and cumbersome that almost everyone
eventually needs to request advance parole, simply to
retain the most basic ties to their home countries.
But there's an ominous sign in this room: "All Advance
Parole Applications Must Be Submitted By Mail."
The man's wife notices the sign, but hope springs eternal.
The man dutifully fills out the form, and includes a letter from
the hospital in Quito stating that his father is in critical
condition and not expected to live long. On the previous day the
family went to a storefront translator in Queens and paid $40 to
have the document converted into English. He attaches all the
paperwork to the paper full of scrawled pidgin English.
As 4 o'clock approaches, the tension rises throughout the
building. All INS agents leave at 5, regardless of who's waiting
or whether they've been seen yet. This is the time when the
security presence rises and the incidents at the bank-teller
windows become more intense.
"But she didn't answer my question!" an Asian man pleads
with a guard.
The agent has vanished. She's gone into the back room. So
the man is attempting to get another agent to answer the
question.
"You have to go now," says the guard gently.
But the man can't move. He has to talk to someone. He tells
the guard his problem, and the guard listens patiently. "I don't
know where she went," says the guard sympathetically. "I'm
sorry."
For those who are here for the first time, there's an almost
palpable mistrust, if not outright hatred, of the agents. But as
time passes--as a person goes through the INS procedure for the
tenth or the twentieth time--a certain bond develops between the
bureaucrats and the seekers of green cards. The agents are
obviously tense, overworked, caught up in the same impossible
system, and their faces show it. They must leave at 5. To stay
after 5 would be to allow the absolute hopelessness of it all to
overcome them. They must make the appearance of finishing
something, so that tomorrow morning--the line forms at sunrise--
the new day will appear to have some order.
Their surliness protects them. Like prison guards, who don't
want to know that much about inmate heartaches, they need the
protection of Procedure.
The agent's expression is deadpan when the Ecuadorian man
explains, at 4:45, that his father is dying and he needs
emergency advance parole.
"We rarely give emergency advance parole," says the agent,
"and we must have all those cases before 10 a.m."
The man asks if he can come back tomorrow before 10 a.m.
"Your father is alive?" asks the agent.
Yes he is, says the man.
"We're not currently granting advance parole for sickness.
We can only grant it if there has been a death in the family."
But can he try tomorrow, the man asks.
The agent tells him he can try, but that he should submit
his application by mail. Sickness applications have to be sent
through the mail. He's unlikely to get his parole.
And then his time is up. His one question has been answered.
He talks to his wife, and they agonize over whether to come back
tomorrow, to mail in an application--and yet they know there is
no time for that.
There is no time for anything at 26 Federal Plaza.
© Copyright 2001
United Press International and Joe Bob Briggs