New
York Diary: Day 3--Fort Soho
September 13, 2001
by John Bloom
NEW YORK (UPI) -- I enter Fort Soho from the east.
I know Soho is under siege because the previous night I've
seen scattered bands of refugees, fleeing north from their
million-dollar lofts, pulling burnished Louis Vuitton bags on
wheels, the nanny trailing behind with the zippered fleece-lined
pet carrier, whole families wearing identical masks of crisp
white cotton.
The white cotton mask has become the universal accessory for
people living in southern Manhattan. There's a unique smell that
can only be called "World Trade Center" and when the wind blows
from the south, it irritates emotionally as much as physically.
It's just something you don't want to smell.
They're still fighting fires and waiting for buildings to
topple on the west side, so I have to approach indirectly. I
snake through the Lower East Side, finding places where the cops
aren't so thick, pass through Upper Chinatown, and am stunned
when I get to Mulberry Street--and the Phantom Carnival.
It just gets curiouser and curiouser. The main thoroughfare
of Little Italy is decked out in green, white and red bunting,
the colors of the Italian flag, and carnival booths line the
empty street: "Bobb's Speed Racers," "Rolla-Ball!," "Pete's
Zeppole & Calzone." To the southwest is the ominous ever-present
smoke cloud, but here they are waiting on party guests who will
never come. It's all set up for the 75th annual Feast of San
Gennaro, but there will be no feast this year.
A deserted sideshow attraction advertises "The Angel Snake
Girl," right next door to "World's Smallest Woman! (Only 29
Inches): Special Today 50 Cents." But the snake girl hasn't shown
up for work, and midget-gawkers will be disappointed. It's odd to
be in Little Italy when the tourists have gone away, when the
only language spoken is Italian, and when the only activity is
the card game being played by four old men at a sidewalk table
outside the Ristorante Sorrento.
And yet there's a deja vu here.
Of course! In every Italian gangster movie, when the parade
of San Gennaro begins, with choir boys carrying crosses and
brightly-jacketed Italian politicians marching in their
ceremonial sashes, the scene inevitably ends with gunfire,
screams, chaos, carnage. It's another kind of carnage this time,
but it's more vivid than any movie.
I press on a few more blocks to Soho, the fashion, art and
design center of New York, a small neighborhood just a few blocks
north of the World Trade carnage that lost most of its power two
nights ago when an entire grid was cut off to aid the
firefighting effort. This tiny neighborhood of cast-iron
buildings, the place where the "loft" movement began 30 years
ago, has 400 art galleries, but today they're just empty locked
rooms. It has German furniture companies that sell $10,000
chairs, bars where supermodels and financiers hang out, ceramics
stores where fruit bowls go for $500. Madonna lives here. It's
not a place where people are used to waiting for the lights to
come back on. Today, Thursday, the main party night of the week,
it stands as still and silent as an alien-takeover sequence in a
fifties science fiction movie.
I walk past dozens of famous international brand names--
here's a store for Movado, there's Chanel, across the street is
Helena Rubinstein--all locked and dark. I find a restaurant open,
the ultra-trendy Boom, but the only people dining are four robed
Franciscan Friars. They're technically residents of Soho--their
monastery is here--but they describe themselves as being from
"the Province of the Immaculate Conception." Their little
theological conclave, in a restaurant normally filled with
shopaholic mistresses and power brokers, makes as much sense as
anything else in this oddest of all times.
Emporio Armani, Shabby Chic, Gant, Yves St. Laurent--all
dark. Then another sign of life: Fanelli's, the old-style New
York pub that's been there 130 years, has a few diners at the
bar. And inside everyone is smoking. One thing the disaster has
done is suspend the smoking laws. It's still illegal to smoke in
a restaurant, but New Yorkers understand that sometimes you just have to
smoke.
"WE NEED: Masks w/ respirators, Hard hats, Kleenex, Goggles, O2 Tanks, Benzoine Spray, Baby Powder, Neosporin, Anti-bacterial soap, Atrovet Nebulizer, Tooth Brushes, Otoscope, Antibiotics, Albutinol/MDI Inhalers, Ice: BRING TO CHELSEA PIER 59"
Other people stop to peer over my shoulder, trying to read the sign. An old man says, "What is that?"
"Things they need for the relief effort," I say.
"What the hell's it doing on my building?"
New York, alas, is still New York.
I walk past the Cub Room, where the Beautiful People normally drink and dine, but there are only three people inside, and they're not having the bright red "Summer Cocktail" advertised on the menu; instead they're all staring at the TV. Betsey Johnson on Wooster--closed. Anthropologie on West Broadway--closed. The Helmut Lang Shop on Greene--nothing going on. I do see some slight activity at the Mercer Hotel, where movie stars normally stay, and there's a handsome man in an expensive designer suit out front, bemoaning his lack of airline choices.
And then the siege is lifted. I find all the remaining denizens of Soho in one place: Dean & Deluca. This gourmet grocery store, known for its caviar, exotic breads, pastries and rare cooking ingredients, has decided to throw open its doors on the afternoon of the third day, and the locals are loading up their baskets with $8 pre-packaged pasta salads and Spanish tangerines.
As I move north, satisfied that Fort Soho will survive the night, I pass more ghost retailers--Rampage, Issey Miyake, a designer named Jenne Maag who only sells black dresses and skirts--and then the street names start to sink in on me. Greene, Mercer, Wooster, Sullivan, McDougal--Soho's streets have military names. All the streets are named after generals in Washington's army. Soho strikes me, on the one hand, as the citadel of western excess--just the sort of place Osama bin Laden would like to do away with--and, on the other, as a place that, once you scrape away the silliness of its trends and fads, remains an organic part of New York and America, not so far removed from the time of those life-sacrificing generals.
© Copyright 2001 United Press International and Joe Bob Briggs